After deciding to cancel the highly anticipated series Barzakh due to intense backlash over its controversial themes, director Asim Abbasi expressed his gratitude to supporters through a heartfelt tribute on X.
Abbasi stated, “No story of mine is worth more than the safety of the talented artists involved in it. So, this decision is for the best. To those who have supported us, I hope you enjoy the finale! Remember, stories never die. #Barzakh.”
On Tuesday, Zindagi announced that Barzakh would be removed from YouTube Pakistan starting August 9. This move was intended to address the objections while allowing fans time to view the finale, which aired on August 6.
The statement from Zindagi read: “We, at Zindagi and Team Barzakh, extend our heartfelt thanks to our global audience for their unwavering support. However, given the current public sentiment in Pakistan, we have decided to voluntarily withdraw Barzakh from YouTube Pakistan, effective August 9, 2024. This decision reflects our commitment to respecting our audience while avoiding alienation. We appreciate your understanding and continued support.”
The decision to withdraw Barzakh has spotlighted the polarizing nature of unconventional content in local contexts. Anticipation was high before the show’s release, largely due to the reunion of A-listers Fawad Khan and Sanam Saeed. However, widespread horror at the show’s provocative themes led veteran actor Rubina Ashraf to defend such content.
Ashraf explained, “Films and dramas reflect societal issues rather than creating them. People often blame media for societal trends, but it’s actually the reverse. We are not teaching what we portray; we are showing what already exists.”
She criticized the oversensitivity on social media and encouraged viewers to use shows as educational tools rather than reacting with outrage. “A drama mirrors society. Ignoring these issues won’t make them disappear. Focus on your surroundings and protect your own community,” Ashraf urged.
Similarly, actor and model Zhalay Sarhadi criticized ‘cancel culture’ in a social media video. Sarhadi expressed frustration with the tendency to boycott instantly and defended artists, noting that they often have limited control over a project’s direction. “Artists don’t control everything about a project. The prevailing negativity on social media is misplaced,” she said.
Nadia Khan had earlier praised Barzakh for its originality and departure from traditional themes, suggesting that it would appeal to viewers tired of conventional drama narratives. She highlighted its unique approach and departure from the usual wedding and family tropes.
Despite the backlash, including threats of legal action and accusations of immorality, some viewers continue to appreciate the artistic value of the show. One user expressed gratitude to Abbasi for standing firm and allowing time for the show’s completion, stating, “Thank you, Asim, for giving Pakistanis who supported the show enough time to watch it. That’s a significant achievement.”
Regardless of ongoing controversies, Barzakh remains a memorable and talked-about show, proving that its impact extends beyond its brief presence on screens.
